no music, no life, really?

This recording captures a live performance by Eddie "Lockjaw" Davis and Sonny Stitt held at the famous New York jazz club, Birdland, in 1954.
Known as a masterpiece of a "sax battle" (tenor battle), in which two tenor saxophonists engage in fierce battles with each other.
The greatest highlight of this recording is the contrast between Lockjaw Davis's rough, powerful tone and Sonny Stitt's fluid, speedy phrasing.

and other album(Eddie "Lockjaw" Davis, Sonny Stitt)

Much More! is a collaborative jazz album by American pianist Mal Waldron and saxophonist Marion Brown, recorded in 1988 and released in 1989 on the Free Lance label. It serves as a companion to their earlier 1985 duo album, Songs of Love and Regret.
The album features a mix of Waldron's original compositions and emotionally charged interpretations of jazz standards, played in a "smoky silver tone".

and other album(Mal Waldron, Marion Brown)

Barry Doyle Harris (December 15, 1929 – December 8, 2021; aged 91) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style.
Preminado is an album by Barry Harris recorded in late 1960 and early 1961 and released on the Riverside label.

and other album

"Gonzalo Rubalcaba in the USA" refers primarily to the 1994 live album Imagine: Gonzalo Rubalcaba in the USA, recorded at various venues including the Lincoln Center. Released under the Blue Note label, the album features his trio and includes a notable rendition of John Lennon's "Imagine".

and other album

Gene Harris (born Eugene Haire, September 1, 1933 – January 16, 2000; aged 66) was an American jazz pianist known for his warm sound and blues and gospel-infused style, known as soul jazz.
Like a Lover is a soul-jazz album by the Gene Harris Quartet, released on January 1, 1992, under the Concord Jazz label. Recorded in 1992, the album features Gene Harris’s signature blues-infused piano style supported by a quartet.

and other album

Live At The London House refers to a series of highly regarded live albums recorded by the Oscar Peterson Trio in 1962 at the London House jazz club in Chicago. The classic trio lineup featured Oscar Peterson (piano), Ray Brown (double bass), and Ed Thigpen (drums).
The trio had a week-long engagement at the London House in the summer of 1962, which was extensively recorded. The original material was initially released across four separate LPs: The Trio, The Sound of the Trio, Put On a Happy Face, and Something Warm.
Tracks 1-7 originally appeared on album Put On A Happy Face (Verve V6-8660).
Tracks 8-13 on Something Warm (Verve V6-8681).

and other album

"Blue Manhattan" is a masterpiece from the final years of American jazz pianist Al Haig, released in 1980.
Recorded in New York in January 1980. It features a piano trio format with Jamil Nasser on bass and Frank Gant on drums.
In addition to the title track "Blue Manhattan," the album includes jazz standards and classics such as "Dear Old Stockholm" and "Strollin'."
Haig passed away in 1982, approximately two years after this recording. As a result, it is regarded as one of the most important works of his late career and is highly acclaimed by jazz enthusiasts worldwide.

and other album

Mucho, Mucho is a Latin-influenced jazz album by organist Shirley Scott, recorded and released in 1960 on Prestige Records. The session was recorded on July 8, 1960, at Rudy Van Gelder's studio in Englewood Cliffs, New Jersey.

and other album(Shirley Scott, The Latin Jazz Quintet)

Goodnight, It's Time to Go is the fourth album by organist Jack McDuff recorded in 1961 and released on the Prestige label.
This album was organist Jack McDuff's first with his regular working band. That group included two players who would become synonymous with the organ combo, soul-jazz sound: tenor saxophonist Harold Vick and the up-and-coming guitarist Grant Green.

and other album

Larry Young (also known as Khalid Yasin ; October 7, 1940 – March 30, 1978; aged 37) was an American jazz organist and occasional pianist. Young's early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3.
Groove Street is an album by Larry Young which was recorded in 1962 and released on the Prestige label.

and other album