すべての人の人生にサウンドトラックがある。ここはわたしのサウンドトラック。 Soundtrack of my life.

あがた 森魚（1948年9月12日 - ）は、日本のフォークシンガー、シンガーソングライター、映画監督、俳優、エッセイスト。北海道留萌市出身。埼玉県川口市在住。函館ラ・サール高等学校卒業、明治大学中退。
1972年4月25日、林静一の同名漫画を題材としたシングル「赤色エレジー」で50万枚を売り上げるヒットになり広く知られるようになる。
あがたは、よしだたくろうや、泉谷しげる、友部正人とともに"ニュー・フォーク四人の旗手"と呼ばれたが、あがたは演歌と見まがう歌唱で"フォーク界の異端児"と呼ばれた。本作「乙女の儚夢(ロマン)」は1972年9月10日にリリースされたメジャーデビューアルバムである。

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グラシェラ・スサーナ（Graciela Susana、1953年1月22日 - ）は、アルゼンチン出身の女性歌手、ギタリスト。「クリスティーナとウーゴ」のクリスティーナ・アンプロシオの2歳下の妹。菅原洋一により見出され、1971年11月に初来日し、1970年代にヒットした。

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Randolph Denard Ornette Coleman (March 9 or 19, 1930 - June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer. In the 1960s, he was one of the founders of free jazz, a term he invented for his album Free Jazz: A Collective Improvisation. His "Broadway Blues" and "Lonely Woman" have become standards and are cited as important early works in free jazz.
"Change of the Century" is the fourth studio album by Ornette Coleman, released on Atlantic Records in May 1960. It sold very well from soon after its release. Recording sessions for the album took place on October 8 and 9, 1959, at Radio Recorders in Hollywood, California.

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Albert Ayler (13, 1936 - November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer.
After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike. His innovations have inspired subsequent jazz musicians.
Ghosts is the second album release by saxophonist Albert Ayler's quartet featuring Don Cherry, Gary Peacock and Sonny Murray recorded in Copenhagen in 1964 and first released on the Dutch Debut label then later released on the Freedom label as Vibrations.

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Willem Breuker (4 November 1944 - 23 July 2010) was a Dutch jazz bandleader, composer, arranger, saxophonist, and bass clarinetist.
Leo Cuypers (December 1, 1947 - September 5, 2017) was a Dutch composer and pianist of jazz and improvised music.

Donald Eugene Cherry (November 18, 1936 - October 19, 1995) was an American jazz trumpeter. Cherry had a long association with saxophonist Ornette Coleman, which began in the late 1950s. Cherry was also a pioneer in world fusion music in the 1960s and 1970s.
Home Boy (Sister Out) is an album by Don Cherry released on the Barclay label in 1985.

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Jorge Duilio Lima Menezes (born March 22, 1942) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter.
His hits include "Chove Chuva", "Mas Que Nada", "Ive Brussel" and "Balanca Pema", and have been interpreted by artists such as Caetano Veloso, Sergio Mendes, Miriam Makeba, and Marisa Monte.

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Mark Howe Murphy (March 14, 1932 - October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance.

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Johnny B. Moore (born Johnny Belle Moore, January 24, 1950, Clarksdale, Mississippi) is an American Chicago blues and electric blues guitarist, singer and songwriter. He was a member of Koko Taylor's backing band in the mid-1970s.
He has recorded nine solo albums since 1987. Moore's music retains a link to the earlier Chicago blues of Jimmy Reed and Muddy Waters, who also travelled to Chicago from the Mississippi Delta.
"HARD TIMES" is his debut album released in 1987.

Joshua Daniel White (February 11, 1914 - September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist.
White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs. In 1931, White moved to New York, and within a decade his fame had spread widely. His repertoire expanded to include urban blues, jazz, traditional folk songs, and political protest songs, and he was in demand as an actor on radio, Broadway, and film.