すべての人の人生にサウンドトラックがある。ここはわたしのサウンドトラック。 Soundtrack of my life.

Charles "Buddy" Montgomery (January 30, 1930 – May 14, 2009; aged 79) was an American jazz vibraphonist and pianist. He was the younger brother of Wes and Monk Montgomery, a guitarist and bassist respectively. Buddy and brother Monk formed The Mastersounds in the late 1950s and produced ten recordings. When The Mastersounds disbanded, Monk and Buddy joined their brother Wes on a number of Montgomery Brothers recordings, which were mostly arranged by Buddy.
Remembering Wes is an album by Buddy Montgomery which was recorded in 2000 and released on the M&I label.

William John Evans (August 16, 1929 – September 15, 1980; aged 51) was an American jazz pianist and composer who worked primarily as the leader of his trio.
Crosscurrents is an album by Bill Evans, recorded in early 1977 and released in 1978 on Fantasy. Along with Evans' trio of Eddie Gómez and Eliot Zigmund, Lee Konitz and Warne Marsh guest on alto and tenor saxophone respectively.

and other album (Bill Evans, Lee Konitz, Warne Marsh)

Montgomery Bernard "Monty" Alexander (born 6 June 1944; age 79) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes.
Live in Holland is an album by Monty Alexander Trio, recorded live in Holland, 1977.

and other album

Antonio Faraò (born January 19, 1965; age 58) is an Italian jazz pianist.
A native of Rome, Italy, Faraò earned a degree in 1983 from the Giuseppe Verdi Conservatory in Milan and performed in clubs as a teenager. Enja released his debut album, Black Inside, in 1999. He recorded the album with Ira Coleman and Jeff "Tain" Watts.

and other album

John Aaron Lewis (May 3, 1920 – March 29, 2001; aged 80) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet.
Alexandre "Sacha" Distel (29 January 1933 – 22 July 2004; aged 71) was a French singer, guitarist, songwriter and actor.
Afternoon in Paris is an album by John Lewis and Sacha Distel recorded for the Atlantic label in 1956.

Steve Kuhn (born March 24, 1938; age 85) is an American jazz pianist, composer, arranger, bandleader, and educator. In the mid-1980s he formed the All Star Trio with Ron Carter(bass) and Al Foster(drums).
The Vanguard Date is an album by Steve Kuhn Trio which was released in 1986 on the Owl label.

and other album

Robert Andre Glasper (born April 6, 1978; age 45) is an American pianist, record producer, songwriter, and musical arranger. His artistry bridges several different musical and artistic genres, mostly centered on jazz. To date, Glasper has won five Grammy Awards and received eleven nominations across eight categories.
Canvas is a studio album by Robert Glasper, released on the Blue Note label in 2005. The album is Glasper's first for a major label.

Claude Berkeley Williamson (November 18, 1926 - July 16, 2016; aged 89) was an American jazz pianist. Williamson was born in Brattleboro, Vermont, United States.
New Departure is an album by the Claude Williamson Trio, recorded in 1978, NYC.

and other album

田中信正。1968年、神奈川県横浜市生まれの日本のピアニスト。クラシックピアノを小灘裕子、ジャズ・ピアノを藤井英一、橋本一子、佐藤允彦に師事。93年、横濱ジャズプロムナード第1回コンペティションでグランプリ及び個人賞ベストプレイヤー賞を受賞。以降、田中信正KARTELLや神田佳子とのユニットのTANAKANDAをはじめとするリーダー・バンドのほか、数多くのユニットのメンバーとして録音・演奏に参加している。
「ODD OR EVEN」は、2000年にレコーディングされた田中信正の初リーダーアルバム。

Leonard Joseph Tristano (March 19, 1919 – November 18, 1978; aged 59) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.
Lennie Tristano, also known as Tristano, is a 1956 album by Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings.